Cine­so­mat­ic Feed­back Examples—Extended Editions

These demon­strate the exclu­sive Cine­so­mat­ic® process where clients review footage and inte­grate feedback

Exam­ple One of Feedback—Extended

Exam­ple One shows Andrew Daniel giving feed­back to a client while review­ing footage togeth­er online of hand­shak­ing and embod­ied arche­type movements.

Topics include:

  • Explain­ing the premise of feed­back and video
  • The source of anx­i­ety in the body
  • Being seen a cer­tain way and drop­ping personas
  • High output levels and money in business
  • Ego and spir­i­tu­al arrogance
  • Not feel­ing enough when giving and receiving
  • Lack of true ful­fill­ment in buying things

Notice: Mature lan­guage and sen­si­tive topics.

Exam­ple Two of Feedback—Extended

Exam­ple Two shows Andrew Daniel giving feed­back to a client while review­ing footage togeth­er online of hand­shak­ing and embod­ied arche­type movements.

Topics include:

  • Prov­ing value and fear of losing approval
  • How doing it the oppo­site way works better
  • Highly accel­er­at­ed feed­back and manifestation
  • Rela­tion­ship of mas­cu­line and fem­i­nine in the body
  • Grow­ing up with­out a ref­er­ence point of generosity
  • A 15:1 ratio of somat­ic resource­ful­ness with money
  • Lack of inti­ma­cy and con­nec­tion where money is spent

Notice: Mature lan­guage and sen­si­tive topics.

Cine­so­mat­ic Hand­shak­ing Mosaic—Extended Edition

Com­pi­la­tion of 24 people “shak­ing their hands”—revealing polar­i­ty, reverse-wiring, and how we play big and small

Hand­shak­ing Compilation—Extended

Hand­shak­ing shows 24 par­tic­i­pants doing what they inter­pret as “shak­ing your hands”. This decep­tive­ly odd exer­cise reveals a tremen­dous amount of data about the person through the move­ment and feel­ing, such as:

  • What money, love, sup­port we take in, reject, or throw away
  • What sto­ries and mytholo­gies are cur­rent­ly run­ning our lives
  • The level of joy, suf­fer­ing, ease, or strug­gle we experience
  • Trau­mas, anx­i­eties, fears, avoid­ances, neu­rot­ic patterns
  • Hidden agen­das, manip­u­la­tions, pro­jec­tions, judgments
  • The func­tion­al­i­ty of our mas­cu­line and fem­i­nine aspects

See if you can feel beyond the move­ments and sense what shadow mate­r­i­al lies beneath the surface.

Cine­so­mat­ic Arche­type Mosaics—Extended Editions

Ground­break­ing “mosaics” of embod­ied arche­types show for the first time how suc­cess and dys­func­tion reflect in the body

Giving Archetype—Extended

Giving shows 18 par­tic­i­pants express­ing “giving” through their bodies. This move­ment reveals their cur­rent rela­tion­ship with giving sym­bol­i­cal­ly and lit­er­al­ly. You will see how some feel effec­tive or joyous in their move­ment, while others frozen, aggres­sive, or lost—that is how they relate to giving in their lives.

Receiv­ing Archetype—Extended

Receiv­ing shows the same set of 18 par­tic­i­pants express­ing “receiv­ing” through their bodies. This move­ment reveals their cur­rent rela­tion­ship with receiv­ing, com­ple­ment­ing “giving”. You will see how some find ease and plea­sure in receiv­ing, or what it sym­bol­i­cal­ly looks like to strug­gle with receiving.

Making Money Archetype—Extended

Making Money shows 10 par­tic­i­pants express­ing the con­cept of “making money” through their bodies. This move­ment shows their rela­tion­ship with money and how they inter­nal­ize making it. It’s not just the move­ment that con­veys, but the feel­ing of wealth, pover­ty, abun­dance, or scarci­ty that under­lies it.

Spend­ing Money Archetype—Extended

Spend­ing Money shows the same set of 10 par­tic­i­pants, but this time express­ing the con­cept of “spend­ing money”. Again, their rela­tion­ship with money is revealed through feel­ing and move­ment. Notice if they spend from ego or real joy, if it feels abun­dant, and how it com­pares to their “making money”.

Gen­eros­i­ty Archetype—Extended

Gen­eros­i­ty shows 12 par­tic­i­pants express­ing “gen­eros­i­ty” through move­ment. The move­ments tell a story of how they have inter­nal­ized this con­cept and what it looks like when they’re being “gen­er­ous”. Some­times we think we’re being one way—but in real­i­ty, there’s an agenda or manip­u­la­tion behind it.

Self­ish­ness Archetype—Extended

Self­ish­ness shows the same set of 12 par­tic­i­pants doing “self­ish­ness” through embod­ied expres­sion. You may dis­cov­er that what people think is self­ish… is some­times them taking what they need to nour­ish or sup­port them­selves. This “reverse-wiring” reveals itself only through Cine­so­mat­ic movement.